I think that I’m drawn often to shorter works, works that feel focused, and earnest in trying to communicate something. I feel pretty content where others might not, simply glimpsing just a fragment of somebody’s life. I feel okay not knowing the character’s whole story. Instead, I like the intimacy of peeking in on a particular moment when someone is standing at a window, or walking along water, or trying to puzzle out some piece of their past that maybe doesn’t make sense. I feel excited myself by reading work that does that, even if there’s a kind of challenge in that. And writing these pieces, sometimes it felt pretty personal. So as a writer, there’s motivation there. Trying to capture a person, or even the idea of a person, in an important or strange or charged moment of their thinking—or just being—was enough for me.
—The Rumpus Interview with Ashley Farmer (via therumpus)